We start with somebody standing off camera and flicking their hand in front of the lens and making some sort of odd signal, but I’m paying more attention to the 400 bracelets this person is wearing. (Does the weight make their arms longer?) Then the name of the album rolls by, and this kicks off a long series of other things scrolling past on the screen, like band members and fruit. It becomes clear very quickly that we’re not dealing with a story here, just film editors sitting around and going “Hey, let’s have Michael Hutchence flip his hair right here!”
Speaking of Michael, he shows up to whisper the classic “come inside”, and then he starts dancing in the background while various band members appear and disappear. Oh, and there’s a white mouse crawling up the sleeve of Michael’s jacket during this bit. Maybe the image of a rodent on your bicep is more important to Australians than other people. We also get glimpses of some sad woman who keeps turning her head to one side and looking despondent. (Is she the one that lost the mouse?)
We finally get a full shot of the whole band, but almost immediately Michael starts hopping around and wiggling his hips, making it hard to see anybody else, so he was probably one of those Diva people who are high-maintenance. To get back at him, two of the band members shove their heads in from the sides of the screen. It’s a rather startling move, so prepare yourself. You don’t want to be in the midst of chugging a beverage when this happens or there could be issues.
Then we go back to more random images floating around. (Um, somebody might want to tell that drummer that he’s missing his drum. On second thought, he seems to be very happy playing nothing and wearing his Oompa Loompa shirt, so maybe we should just let him be.) Another band member shoots in from the side and sticks out his tongue. I’m starting to not care for these abrupt drive-bys. They’re a little unnerving. And there goes another one. Oh wait, he’s kind of cute. He can come back. Make the others do something else.
Now there’s a sequence where Michael might be behind prison bars, and the rest of the band is lined up behind him wearing what might be mime outfits. The band is trying to do some type of intricate hand movements to the song, but you can tell they didn’t practice very hard and aren’t taking it seriously. This might explain why we get another image of Michael, this one looking sad and disappointed.
The mimes slide away and we get the band playing again. (Why is that one guitar player doing that thing with his leg?) Two more of the band members do the creepy “burst in from the side” thing, and then they’re just as quickly gone. And another scene with that overly-happy drummer. I want some of whatever medication he’s taking. Please.
Now we’ve got people flashing peace signs, which is hip and cool although a bit dated, and then Michael is doing a part of the song which requires him to point at us a lot and make his hair bounce. (Okay, the happy drummer just slid into the creepy category with some weird laughing. He really needs to settle down.) And the mimes are back, still not having really learned their choreography. Focus, people.
Another shot of the sad girl, then Alicia Silverstone, I mean Michael Hutchence, is back for the final bit of the song. He flops his hair around seductively, then holds his arms out so we can see his belly button under his jacket. To make sure we see it, he closes in on the camera while doing one of those dances from the 80’s that could easily be mistaken for a medical condition. Then he leans in and whispers the infamous last line “you’re one of my kind”…
Behind him, we can see that the happy/creepy drummer has finally found his drum set. But now his sticks are missing. Guy just can’t catch a break…
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